Artisan’s Handcrafted Design

Orikatsu Store Co., Ltd. > Material and Process

Artisan’s Handcrafted Design

Material

MATERIAL

When we make Oribako (or chip boxes), we use the same high-quality wood as that used to craft pianos and violins.

We use both domestic and imported wood in a harmonious balance; we use traditional Japanese Yezo spruce trees and Sitka spruce trees from Canada and Alaska.

Tthese trees has a faint aroma, and the climate of Japan, given its temperature and humidity, is suitable for bringing out this aroma.

The wood from these trees has a special flexibility; it’s not too hard, yet it maintains tenacity and tension. It is suitable for crafting products that need to be carefully molded, like Oribako.

There are individual differences in each grain of wood, just as there are differences between individuals. Some of the trees are immaculate, some are beautiful, and some are strong, while others are a combination of many different qualities.

 

The trees are gathered from Hokkaido, an island at the north end of Japan. In the summer, we take care of and water these important trees to ensure that they are not eaten by insects and to prevent mold.

 

During the winter, the trees are carefully cut down in the bitter cold mountains. Since the temperature is -20°C, the frozen trees are first carefully defrosted. We strive every day to use the blessings we are given by nature without wasting any trees.

Process

① Selective cutting of ripe old trees

Selective cutting is the process of choosing and cutting down a tree. We choose trees that will soon fall down due to their age and health, as the falling down of these trees can cause damage to the forest.

MATERIAL

② Sorting the used parts of the wood

There are many knots and tar bags in a log. There are also cells with a unique characteristic called “ate.” Some of these aspects are unsuitable for use during the making of Oribako.
We sort these parts, and then we choose the usable parts to be used as the wood shavings for making Oribako.

MATERIAL

③ Orange wedging (Cutting like orange slices)

We insert a stake into the log and then break it, which makes the log easier to process. We then cut off the epidermis and the core of the tree, which is broken into the shape of firewood.

MATERIAL

④ Structuring of / material collecting for the
basal plate

We use the materials that were removed from the epidermis and the core of the tree.Then, we use wood shavings with a thickness of around 1mm.
We collect the materials and maintain the state of a live tree with a much greater moisture content.

MATERIAL

⑤ Drying

Mold grows more easily on live trees. Because it takes too much time to naturally dry mold, we make full use of our original drying method, manipulating drying temperatures and times using past experience.

MATERIAL

⑥ Sorting

After the wood has been dried, we carefully remove the parts with small knots, dirt, and curves.

MATERIAL

⑦ Plywood pasting

Molding a box from a single piece of wood shaving can result in a decrease in quality depending on the curvature and the strength of the wood. Therefore, we make plywood and then paste together the pieces with unique characteristics.

MATERIAL

⑧ Kerf cutting

With a carving knife, we make a cut through the piece of wood that is to be bent. This is how we make the bent part of Oribako and why the box is called Oribako. At this time, we must determine the sharpness of the cutting tool and the precision of the cutting tool’s angle.

MATERIAL

⑨ Otoshi / Structure collecting

This is the process of collecting the materials to become the side of the box. They are from a large and long plank of wood.
Because we cut the wood depending on the height of the product, Otoshi is the name of this cutting process.

MATERIAL

⑩ Strengthening and hardening

The materials that will be used to make the sides of Oribako have precise margins to allow for proper pasting.
We fasten the margins for pasting using paste and wire to strengthen and harden the box; this method is called Katame. We also carefully check the curves and stains at this point.

MATERIAL

⑪ Installing the bottom

We laminate a part of the soleplate to lateral materials. Soleplate has the right side and the wrong side, so we pay attention whether there is paste properly.

MATERIAL

⑫ Wrapping

We wrap the united product after installing the bottom. In order to manage moisture content, we wrap it in a traditional straw paper.

MATERIAL

⑬ Storing

We allow the finished and packed product to stand idle until shipment.
This allows the paste to dry and allows the curves of the wood to set.
We keep the temperature and humidity in our warehouse at an approximately constant level to avoid changes to the product caused by fluctuating weather conditions.

MATERIAL

⑭ Packing

The top and bottom of Oribako are shock resistant up to 50 kg. However, Oribako has low shock resistance on the sides.
We therefore change the packing method depending on the product’s size.

MATERIAL

⑮ Mailing / Delivery

We deliver the packed product by arranging a delivery carrier. From the creation of Oribako to it being given to the customer, there are many work processes.

MATERIAL